Z Ravas on ‘Hydra’ filmmaker Kensuke Sonomura returns with Hitoshi Ozawa with V-Cinema-inspired action thriller ‘Bad City’ Kensuke Sonomura also did an *excellent* job choreographing the action for 20….The Other One (2022) Review The first one kicked ass. Aerosniff Someglue on The Witch: Part 2.Aerosniff Someglue on Steven Yeun joins Robert Pattinson for ‘Parasite’ director Bong Joon-ho’s sci-fi thriller ‘Mickey7’ And another Asian director leaving his country to sell out to Hollywood.Aerosniff Someglue on The Roundup | aka The Outlaws II (2022) Review I'll come back when I want.But it's still the biggest success of all time… Aerosniff Someglue on Watch Well Go USA’s Trailer for Kim Han-Min’s ‘Hansan: Rising Dragon’ (prequel to ‘The Admiral: Roaring Currents’) The "first" one was horrible.
#Sleepless town 1998 series
The Other One (2022) Review Funny how divisive the reception to this series has been. Andrew Hernandez on Joey King and Veronica Ngo kick ass in a New fight clip for Hulu’s ‘The Princess’ from ‘Furie’ director Le-Van Kiet Finally found time to watch this and it was great! Joey King did a great job….Normand Deschenes on Universal’s ‘Green Hornet and Kato’ reboot to be helmed by ‘The Invisible Man’ and ‘Upgrade’ director Leigh Whannell? This Green Hornet and Kato film is going to be a Real Blockbuster!!!!!!!!!!!!….There’s little action and most of the dialogue will leave you scratching your head in bewilderment (and frustration), but “ST” is nonetheless a worthy film and thus, recommended. Ultimately, even as the film sometimes slogs through it’s own convoluted plot, “ST” is interesting and engrossing and serves as a great alternative to traditional HK action and romantic-comedy fare. Takeshi switches stations quickly prompting Miria to ask, “You don’t like Faye Wong?”, an obvious nod to Wong Kar Wai’s masterpiece.
There’s even a sly reference to “Chungking Express” when Takeshi and Mirai hear a song by “Express” co-star and Hong Kong pop singer Faye Wong on the radio.
The soundtrack is at times both eerie and airy, including popular songs and a moody score, similar to “Fallen Angels” and “Chungking Express”. Takeshi Kaneshiro appears in all three aforementioned films. The meandering pace and gritty settings are akin to “Fallen Angels”. If you’ve seen WKW’s masterful “Chungking Express” and “Fallen Angels” you will undoubtedly make comparisons between them and “ST”. The director’s skill is evident and this lingering, expertly planned shot sets the tone for the rest of this gorgeous film. The film opens with a spectacular, uninterrupted lengthy tracking shot of Kenichi walking through the neon-washed streets of Kabukicho, Japan, which instantly reminded me of the similarly lengthy and uninterrupted introduction to “Boogie Nights” and the single-take hospital gun battle in John Woo’s “Hard Boiled”. “ST” is based on the book of the same name, which is apparently one of Japan’s most popular and critically acclaimed contemporary detective novels. Director Lee Chi-Ngai is amazing here, as are stars Takeshi Kaneshiro (“Chungking Express”) and Mirai Yamamoto. This meandering, slick and very Wong Kar Wai-like film is so confusing, you’ll instantly ignore the deluge of plot twists amidst a huge cast of characters and instead focus on the beautiful cinematography and adept direction. “Now it all makes sense,” says Kenichi, Takeshi Kaneshiro’s character near the end of the noir-ish thriller “Sleepless Town”. Cast: Kaneshiro Takeshi, Mirai Yamamoto, Lung Sihung, Eric Tsang, Kathy Chow, Seijun Suzuki
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